In which Chaz is vexed. Again.
Nov. 15th, 2006 03:24 pmHmmph. The new Interzone has an interview with Christopher Priest, which I read straight off, having so much enjoyed the movie of "The Prestige". And he said, on the essential difference between SF and fantasy:
So what are we to take from this: that fantasy is not a moral fiction, because it does not address human responsibility? Actions do not lead to consequences, in even the highest forms of the genre? 'Scuse me, but both parts of that seem to me to be large and pendulous bollocks, only waiting for the snip.
Also, that last sentence is a weasel. It's the squids-in-space argument: "I do not write [genre of your choice], because it is without merit; where it has merit - or indeed where I write it - then it is not [genre of your choice]."
Bah, I say. Also, humbug.
Snip.
SF is in the end about human responsibility: actions lead to consequences, and the fiction describes, discusses and evaluates those consequences. Those actions can be couched in reality, or they can be speculative in nature. Thus it is a moral fiction, and the highest forms of it can be accepted as literature. Fantasy is the opposite: it is about the intrusion of irrational and uncontrollable events, over which man has no control, or only nominal control. Once fantasy attempts to grapple with reality it ceases to be fantasy, so the generalisation holds.
So what are we to take from this: that fantasy is not a moral fiction, because it does not address human responsibility? Actions do not lead to consequences, in even the highest forms of the genre? 'Scuse me, but both parts of that seem to me to be large and pendulous bollocks, only waiting for the snip.
Also, that last sentence is a weasel. It's the squids-in-space argument: "I do not write [genre of your choice], because it is without merit; where it has merit - or indeed where I write it - then it is not [genre of your choice]."
Bah, I say. Also, humbug.
Snip.
We want our bookend back
Date: 2006-11-16 10:05 am (UTC)Frankly, I don't see the point in making such 'this is/this isn't' statements, unless it's related to the quality of the fiction. Case in point: Another War was up for a World Fantasy Award. I could have sworn it was SF when I wrote it, but that wouldn't have stopped me from claiming the prize (if they'd offered it to me, which they wisely didn't).
I promise I'll still hang around with you all when I'm rich and famous.
Simon M